Each time a NN-Nano sampler is triggered, one of three or four different samples is randomly selected for playback. To emulate this characteristic, a set of Kong drum patches with alternating sample zones was created. Certain tones like the Bass Drum and Toms/Conga are fairly consistent, but snares and other percussion tones have subtle, sometimes very noticeable variations. The TR-808 is an analog device, and one of the characteristics of the analog charm are the inconsistencies. See the following video tutorial on how both techniques are applied in Reason 5: Accent Programming with the Kong 808 Refill The second approach still requires some editing, but after setting up the initial pattern, a regroove template can be used to apply accent patterns to multiple sequencer lanes. One approach is to manually program patterns in the sequencer with the pencil tool and manually make velocity lane adjustments.
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To take full advantage of the velocity mapped accent switching, there are a couple of production strategies you can employ. In the end, this required that all the patches originally programmed with velocity switching zones at 125 needed to be duplicated and modified with lower switching thresholds. According to some testers (Thank you Ph WTF Crew!), this was too high for effective playback on pad controllers, so a second set of patches was created with more moderate velocity switching levels at 101. Initially, the switching threshold was set to a 125 velocity level. To address the 808 Accent sound, each combination of the drum tones required velocity switching, where the normal and accent hits could be easily accessed. The actual sampling part was pretty easy into Propellerhead Record, and I used my standard signal path for sampling: ADL D.I./Neve/UA-2192, from a Roland TR-808 bestowed to me from composer, Stuart Diamond The initial sampling resulted in over 500 individual audio files. This is probably overkill, but I approached this from an archival perspective and wanted a lot of detail. For example the bass drum required sampling 6 different tone settings, with a normal hit and accent hit at seven or eight different decay settings.
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This involved selectively sampling variations of each sound. The primary goal was to create a set of Kong patches that effectively simulate the classic 808.
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If you like this kit, please help us to spread the word about it.I thought this would be easy… Sample the Roland TR-808, load the files into the Reason 5 Kong Drum Designer… Bam… done! Nope, that definitely is not how things went down. The kit includes Royalty-Free license, so you can use included sounds in your beats for sale without paying us anything.
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Iridium Trap drum samples pack is available for free download only on FatLoops.
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This pack is compatible with all today’s DAW and samplers, including FL Studio, Logic Pro, Ableton Live, Native Instruments Maschine, Studio One, Reason, Akai MPC, Garage Band, Reaper, Bitwig Studio and more. The pack features massive low-end 808 sounds, snappy layered snares, and ear-piercing hi-hats. The Iridium kit has been created especially for Trap and Hip Hop producers. Iridium by FatLoops is a free Trap drum kit composed of 16 WAV format sounds.